MIDI: Good? Bad? Both?
As a result of my reflections and
opinions, I may get stoned for some of my thoughts about MIDI digital sounds. After the reading in our textbook, Music Learning Today, I can see the pros
and cons to have access to such advanced technologies. MIDI technology
is an amazing tool to have in our possession to use and very accessible for
most people. I find that one of the best
utilizations of this technology is when I am using a software program to
compose or rearrange parts and want to hear the playback of the music for critique
purposes. The MIDI sounds are simulated
to sound like true instruments the best that it can be and this very helpful
when composing within a music software program. Well, now let me rant and reflect upon the
part that just frustrates me. While there
are features that are neat to think about and ponder on how someone could event
something so cool, I feel like these features take away from music and from
musicians who practice their art.
Playing the music at a slow tempo because it is difficult and then
speeding it back up where the tempo should be? What? When I think about all the music pieces, I
have learned over the years, and the countless hours of practice to get difficult
pieces worked up to performance, I get so mad thinking about how this can even be a thing. There are many true artists
out there missing out on gigs because now technology can make music easy for
anyone. Are we turning music performance
into an amateur art? Countless artists
who are on the radio do not sound good live anymore. Is this because we can alter their pitches,
the key they sing in, and fix mistakes in a studio? Putting that aside, I still can’t help but
get a little aggravated when I hear music on the radio or recorded that has
simulated instruments instead of real instruments. The sound isn’t the same, and in my opinion,
not nearly as good as a professional playing that instrument or the correct timbre. I hope I am not the only one that harbors
these opinions. I am not trying to
knock down music technologies, because I do feel strongly that technology helps
us. However, it appears that in some
instances, it can hurt as well.
Creativity in the Classroom! YES!
I love what Bauer is trying to say
about creativity in the classroom and how music software can help achieve
levels of musical composition. I do feel
that all music students should have the opportunity to create their own
music. There does need to be a push for
creativity in the music classroom with composition and improvisation. In my classroom, we begin in sixth-grade band
with composing small four measure melodies.
I give them guidelines to help them in the process, and as they progress
through the middle school band the guidelines diminish little by little. I find that this process helps the student
who is apprehensive and afraid to make a mistake. In turn, by the eighth-grade year, it also
allows for the type of students who wants to write freely and feels
claustrophobic with too many guidelines.
I have not yet used a software program to do this. Incorporating Noteflight next will be a lot
of fun, and I will enjoy it as well as the students. They love technology!
Music Software
Very thankful that we have software
programs to compose and arrange music with.
I use Finale quite a bit at work to rewrite parts when needed. I
cannot imagine having to sit down, and pencil/paper write every note. This program and other such as Sibelius,
Noteflight, and Musescore save me a lot of time and errors in the writing
process.
References:
Bauer, W. I. (2014). Music
learning today: Digital pedagogy for creating, performing, and
responding to music.
Bazan, D. (2016, July 1).
Technology Assisted Music Teaching & Professional Development.
Lecture.
I have many of the same frustrations as you do with MIDI and digital sounds. I actually have a really hard time listening to the radio most of the time because of all of the reasons you listed above. While I don't mind the fact that you can slow things down to work on them and then speed up to tempo. Isn't that the way most of us have worked through tough passages in music we have worked on. We learn it slowly then work on getting it faster and faster. What then is the harm of adding a slowed down accompaniment or rehearsal track. I would have loved to have a slower rehearsal track when working on some of my recital music in college. Having the opportunity to not only work on the notes myself but also hear how it fits in with the accompaniment would have been incredibly helpful.
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